Monday, April 14, 2014

Lady Day, Audra McDonald, and My Apologies



There are many moments in my career as a comedian and a radio talk show co-host, that I have said many ridiculous things.  Most times it has been for the sole purpose of inspiring laughter, merriment, and mirth among all who bother to listen.  Because of this blessed position, I have also been granted access to many amazing people and events.  Well this past weekend, I had the privilege to be in the audience of one of the most amazing performances that I have seen in quite a while, by one of Broadway’s most gifted performers, quintuple Tony Award winning actress, Audra McDonald.  She is currently performing in what is certainly going to be one of the hottest shows on the Rialto this season.  When people use the words Tour De Force, sensational, fabulous, inspiring, jaw dropping, etc., to describe Audra’s performance as Billie Holliday in LADY DAY AT EMERSON’S BAR AND GRILL, currently at the Circle in the Square Theater, they are only scratching the surface.

It is very clear that Ms. McDonald is playing Billie Holliday with every fiber of her being and squeezing every drop  of emotion out of every song that she sings.  Having been witness to a few of her Tony winning moments, PORGY AND BESS, MASTER CLASS, and RAISIN IN THE SUN, it is not hard to see how Audra can command a stage with an ensemble.  However, seeing her in this limited engagement as Billie Holliday turned me inside out.  The arrival of this show was quite a surprise on the Rialto, not unlike Beyonce’s surprise drop on the music industry of her last musical project.  No one really saw it coming, and it was an amazing success.  When LADY DAY AT EMMERSON’S BAR AND GRILL was announced to the rest of the world, I feel that Audra did the same thing to Broadway.  

 I am going to go on record as saying that when I heard that Ms. McDonald was playing this iconic performer, I had my doubts.  I will admit that the “kitchen table” talk, like TV talk show host Wendy Williams says , was very shady.  I was not the only person in my mix of friends that made the same face at the announcement.  If you take a listen to many of the recordings of Audra, then you will understand my comment.  She clearly is a gifted and trained singer whose song styling tends to skew in a more traditional and “legitimate” vocal range.  Some of my friends added a tad bit bourgeois. Okay, that was the nice way to say it.  In her recent Mother Superior role in the live televised version of SOUND OF MUSIC, her vocal training and styling was a perfect match.  In the 2002 recording of the DREAMGIRLS Actors Fund benefit concert show, her Deena Jones, albeit sophisticated and fabulous, in my opinion, seemed to lack an intangible, illegitimate essence.   I realize now that I may have been judging her choices and characterization of Deena, instead of  trusting her choices and characterization

In LADY DAY AT EMERSON’S BAR AND GRILL, Ms. McDonald does something  to me that most people cannot do, which was shut me the hell up.  From her entrance to the stage, through her patter and anecdotes, to her final bow, Ms. McDonald had me and the other Circle in the Square patrons in the palm of her opera gloved hand.  She maintains so much soulful concentration throughout the show that you can see her coming out of an almost trance state to receive what will be many standing ovations.  Lanie Robertson’s play, with Lonny Price’s direction, James Noone’s set design, Esosa’s costume design, Robert Wierzel’s lighting design, Steve Canyon Kennedy’s sound design, and the jazz trio, led by Shelton Becton, give Audra McDonald the perfect support and platform to show us ALL how it is done.  I was left applauding like crazy and shoving every bitchy queen comment that I may have uttered right back in my mouth.  This is a show that you must RUN NOT WALK to get tickets. 

Although you may not know me from Adam, Ms. Audra McDonald, I sincerely must apologize to you for my kitchen table talk.  It was ill-informed, shady, and downright disrespectful.  If you were to have been at that table and heard me, you would have had the right to smack me for my freshness and insolence, not to mention my friends.  I always knew that you were a force to be reckoned with on the Great White Way, and your performance of Lady Day cemented your status.  I will never again question it.  You SERVED, girl!!!   You are the QUEEN of Broadway.








1 comment:

  1. Good for you Kieth! It takes a strong person to come forward.

    ReplyDelete